Wednesday, 29 October 2025

Italian Paintings 1200s-1600 part 5

The works featured in these posts date from before and leading up to the Italian Renaissance. Renaissance paintings of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas

The Italian Renaissance: meaning “rebirth,” the Renaissance refers to the art of Europe made between 1300–1600: 

Proto-Renaissance 1300s, otherwise known as the Trecento: “300s” in Italian, referring to the 1300s.

Early Renaissance otherwise known as Quattrocento: “400s” in Italian, referring to the 1400s, High Renaissance 1500s otherwise known as the Cinquecento: “500s” in Italian or 1500s.


This is part 5 of a 10-part series on Italian Paintings:


c1435 The Presentation of Christ in the Temple by Giovanni di Paolo (Giovanni di Paolo di Grazia)
 tempera and gold on wood 38.7 x 43.8 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 The Annunciation by Sassetta (Stefano di Giovanni)
tempera on wood, gold ground 73 x 41 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 Saints Matthew and Francis by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 134.3 x 85.1 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 Saint Anthony the Abbot in the Wilderness by Osservanza Master, Siena 
tempera and gold on wood panel 47 x 33.7 cm
Metropolitan Museum of Art, New York

1437 The Virgin and Child Surrounded by Angels, Saint Frediano and Saint Augustine, known as Pala Barbadori by Filippo Lippi
oil on panel 208 x 244 cm
Louvre, Paris

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

1439-47 The Coronation of the Virgin by Fra Filippo Lippi
tempera on panel 200 x 287 cm
Uffizi Gallery, Florence

1440-45 The Adoration of the Christ Child by Workshop of Bicci di Lorenzo
tempera on poplar panel 47 x 35 cm
National Gallery of Art, Washington, DC

c1440-60 The Adoration of the Magi by Fra Angelico and Fra Filippo Lippi
tempera on poplar wood panel 137.3 cm diameter
National Gallery of Art, Washington, DC

c1440 The Crucifixion by  Fra Angelico (Guido di Pietro)
tempera transferred to canvas, laid down on wood, gold ground 45 x 50.2 cm (image)
Metropolitan Museum of Art, New York

c1440 The Annunciation by Fra Filippo Lippi
tempera on poplar wood panel left panel 63.8 x 25.1 cm right panel 63.8 x 25.4 cm
The Frick Collection, New York City

c1440 Madonna and Child by Fra Filippo Lippi
tempera on poplar wood panel 79 x 51.1 cm 
National Gallery of Art, Washington, DC

1440s Saint Jerome by Workshop of Antonio Vivarini
tempera on wood, gold ground 26 x 16.8 cm
 Metropolitan Museum of Art, New York

1440s Madonna of Mercy by Sano di Pietro
(details not found)
Private Collection

Late 1440s Madonna and Child with Six Saints by Pesellino (Francesco di Stefano)
tempera on wood, gold ground 22.5 x 20.3 cm
Metropolitan Museum of Art, New York

c1440s Madonna and Child by Jacopo Bellini
 tempera on wood, gold ground 77.5 x 55.2 cm
 (painted surface)
Metropolitan Museum of Art, New York

1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lipp alterpiece
Metropolitan Museum of Art, New York


1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lippi
tempera on wood, gold ground

1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lippi
tempera on wood, gold ground

c1443 Annunciation by Filippo Lippi
oil on poplar wood 203 x 162 cm
Alte Pinakothek, Munich

1445 Paradise by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera and gold on canvas, transferred from wood
44.5 x 38.4 cm (painted surface)
Metropolitan Museum of Art, New York

c1445-47 Altarpiece of St Lucia de' Magnoli by Domenico Veneziano
fresco transferred to canvas 209 x 216 cm
Uffizi Gallery, Florence

1445-50 Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus
tempera on wood panel 40 x 69.5 cm
National Gallery of Art, Washington, DC

c1445 The Nativity by Fra Filippo Lippi and Workshop
oil and tempera? on wood panel 23.2 x 55.3 cm
National Gallery of Art, Washington, DC

c1445 Madonna and Child with Two Angels and a Donor by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 137.8 x 81.3 cm
 (painted surface)
Metropolitan Museum of Art, New York

c1445 Flight into Egypt by Sano di Pietro
tempera? on panel (size not given)
Pinacoteca Vaticana, Rome

c1445-50 The Betrayal of Christ by Bartolomeo di Tommaso
tempera on wood 19.7 x 41 cm (painted surface)
Metropolitan Museum of Art, New York

c1445-50 Madonna and Child with Angels by Sassetta (Stefano di Giovanni)
tempera on wood, gold ground 63.8 x 34.3 cm (painted surface)
Metropolitan Museum of Art, New York



Monday, 27 October 2025

Italian Paintings 1200s-1600 part 4

The works featured in these posts date from before and leading up to the Italian Renaissance. Renaissance paintings of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas

The Italian Renaissance: meaning “rebirth,” the Renaissance refers to the art of Europe made between 1300–1600: 

Proto-Renaissance 1300s, otherwise known as the Trecento: “300s” in Italian, referring to the 1300s.

Early Renaissance otherwise known as Quattrocento: “400s” in Italian, referring to the 1400s, High Renaissance 1500s otherwise known as the Cinquecento: “500s” in Italian or 1500s.


This is part 4 of a 10-part series on Italian Paintings:


1400 St. Louis of Toulouse by School of Master of the Madonna del Parto
tempera on wood  panel 51 x 22 cm
Louvre, Paris

1400 Saint Francis of Assisi by School of Master of the Madonna del Parto
tempera and gold on poplar wood panel 51 x 22 cm
Louvre, Paris

1400-1410 Diptych Workshop of Paolo di Giovanni Fei
tempera on wood, gold ground 40.3 x x 16.5 cm each (painted surface)
Metropolitan Museum of Art, New York

1400-1450 The Virgin and Child by Anonymous, School of Italy
tempera and gold on poplar wood panel 34 x 26 cm
Louvre, Paris

1400-1500 Christ in the tomb (between the Virgin, Saint John and Saint Madeleine surrounded by symbols and instruments of the Passion) by School of the Johnson Triptych Master
tempera on poplar wood panel 45 x 32 cm
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Flagellation by School of Mariotto de Nardo
tempera on poplar wood panel 14 x 14 cm
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Crucifixion by School of Mariotto de Nardo
tempera on poplar wood panel (size not given)
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Lamentation by School of Mariotto de Nardo
tempera on poplar wood panel 14 x 14 cm
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Ascension by School of Mariotto de Nardo
tempera on poplar wood panel14 x 14 cm
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Resurrection by School of Mariotto de Nardo
tempera on poplar wood panel 14 x 14 cm
Louvre, Paris

1400-1500 Scenes from the Life of Christ: Noli me Tangere by School of Mariotto de Nardo
 tempera on poplar wood panel 14 x 14 cm
Louvre, Paris

1400-1500 The "Navicella" by School of Italy, after Antoniazzo Romano Giotto de Bondone
tempera on wood transferred to canvas 190 x 179 cm
Louvre, Paris

1400-1500 The Last Supper by School of Mariotto di Nardo
tempera on poplar wood panel 15 x 15 cm
Louvre, Paris

1400-1500 The Martyrdom of Saint Sebastian between Saint Bartholomew and a holy Bishop Master by School of the Epiphany of Fiesole
tempera on poplar wood panel 55 x 33 cm (painted surface)
Louvre, Paris

1400-1500 The new Emperor Decius questions Saint Lawrence about Philip's treasures and gives him three days to find them by School of Mariotto de Nardo
tempera and gold on poplar wood panel 18 x 37 cm
Louvre, Paris

1400-1500 The Virgin and Child with eight saints: Jerome, Antoine de Padoue, Bernardin de Siena, Jean-Baptiste, Verdiana, Louis de Toulouse, Pierre, François Master by School of the Epiphany of Fiesole
 tempera on poplar wood 64 x 48 cm
Louvre, Paris

1400-1500 The Virgin in Glory with the Apostles by School of Mariotto di Nardo
tempera on poplar wood panel 80 x 52 cm
Louvre, Paris

c1400 The Crucifixion by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
tempera on wood, gold ground 86 x 52.4 cm
Metropolitan Museum of Art, New York

c1400 Virgin and Child by Taddeo di Bartolo
tempera on poplar panel, gold ground 104 x 69 cm
Musée du Petit Palais, Avignon

before 1402 The Intercession of Christ and the Virgin attributed to Lorenzo Monaco (Piero di Giovanni)
 tempera on canvas 239.4 x 153 cm
Metropolitan Museum of Art, New York

c1406-07 Last Judgment in an Initial C by Lorenzo Monaco (Piero di Giovanni)
tempera and gold on parchment 31.3 x 26.4 cm
Metropolitan Museum of Art, New York

c1406-10 The Nativity by Lorenzo Monaco (Piero di Giovanni)
tempera on wood, gold ground 22.2 x 3.1 cm
Metropolitan Museum of Art, New York

c1406 The Crucified Christ between the Virgin and Saint John the Evangelist
tempera on wood, gold ground 85.4 x 36.8 cm
Metropolitan Museum of Art, New York

c1408-10 Abraham by Lorenzo Monaco (Piero di Giovanni)
tempera on wood, gold ground 58.1 x 42.2 cm
Metropolitan Museum of Art, New York

c1408-10 David by Lorenzo Monaco (Piero di Giovanni)
tempera on wood, gold ground 56.8 x 43.2 cm
Metropolitan Museum of Art, New York

c1408-10 Moses by Lorenzo Monaco (Piero di Giovanni)
tempera on wood, gold ground 57.5 x 44.8 cm (image)
Metropolitan Museum of Art, New York

c1408-10 Noah by Lorenzo Monaco (Piero di Giovanni)
tempera on wood, gold ground 58.1 x 43.2 cm (image)
Metropolitan Museum of Art, New York

c1410 Saint Ursula and Her Maidens by Niccolò di Pietro
tempera and gold on wood 94 x 78.7 cm
Metropolitan Museum of Art, New York

c1410 Ameto's Discovery of the Nymphs by Master of 1416
tempera on wood 53.7 x 56.2 cm
Metropolitan Museum of Art, New York

c1410 A Contest between the Shepherds Alcesto and Acaten by Master of 1416
tempera on wood 53.7 x 56.2 cm
Metropolitan Museum of Art, New York

before 1414-15 An Episode from the Life of Saint Giovanni Gualberto ttributed to Niccolò di Pietro Gerini 
tempera on wood, gold ground 146.7 x 72.4 cm
Metropolitan Museum of Art, New York

1420 Madonna and Child with Angels by Pietro di Domenico da Montepulciano
tempera on wood panel, gold ground 77.8 x 56.5 cm (painted surface)
Metropolitan Museum of Art, New York

c1420-23 The Crucifixion by Fra Angelico (guido de Pirtro)
tempera on wood, gold ground 63.8 x 48.3 cm
Metropolitan Museum of Art, New York

c1420-30 Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas by Master G.Z. (possibly Michele dai Carri)
tempera and gold on wood panel 112.1 x 106 cm (painted surface)
Metropolitan Museum of Art, New York

late 1420s Triptych with the Virgin and Child, St. John the Baptist and St. Ansanus by Filippo Lippi
 (details not given)
Fitzwilliam Museum, Cambridge, UK

1423 Adoration of the Magi by Gentile da Fabriano
tempera on wood 300 x 283 cm
Uffizi Gallery, Florence

1423 Adoration of the Magi by Gentile da Fabriano detail

1424-25 Virgin and Child with Saint Anne by Masaccio and Masolino da Panicale
tempera on panel 175 x 103 cm
Uffizi Gallery, Florence

c1425-30 Madonna and Child with Saints Philip and Agnes by Donato de' Bardi
tempera on wood, gold ground central panel 58.7 x 32.4 wings 59.1 x 14 cm (painted sufaces)
 Metropolitan Museum of Art, New York

c1425-67 Madonna and Child with Saints John the Baptist, Jerome, Peter Martyr, and Bernardino and Four Angels by Sano di Pietro (Ansano di Pietro di Mencio)
tempera on wood, gold ground 62.9 x 47.3 cm (painted surface)
Metropolitan Museum of Art, New York

c1425 Saint Alexander by Fra Angelico (Guido di Pietro)
tempera on wood, gold ground 15.9 x 15.6 cm
Metropolitan Museum of Art, New York

before 1427 Madonna and Child with Angels by Gentile da Fabriano (Gentile di Niccolò di Giovanni di Massio)
tempera on wood, traces of gold ground 85.7 x 50.8 cm
Metropolitan Museum of Art, New York

before 1430 Saint John the Baptist by Niccolo di Pietro Veneziano
 paint on wood panel 77 x 28.9 cm
Detroit Institute of Arts, MI

1430 Saint Jacques (Saint James) by Anonymous, School of Italy
tempera on poplar wood panel
(the right panel of a small portable triptych) 52 x 18 cm
Louvre, Paris

1430-39 The funeral of Saint Francis by School of Bicci di Lorenzo
tempera and gold on poplar wood panel 34 x 34 cm
Louvre, Paris

c1430 The Marriage of the Virgin
tempera and gold on wood panel 65.1 x 47.6 cm
Metropolitan Museum of Art, New York

1433-35 Saint Nicholas Providing Dowries by Bicci di Lorenzo
tempera and gold on wood 30.5 x 56.7 cm
Metropolitan Museum of Art, New York